A Trilogia de Nova Iorque

A Trilogia de Nova Iorque A Trilogia de Nova Iorque continua a ser tantos anos depois o livro mais emblem tico de Paul Auster S o tr s fascinantes hist rias de mist rio centradas no submundo da grande cidade norte americana

  • Title: A Trilogia de Nova Iorque
  • Author: Paul Auster
  • ISBN: 9724121399
  • Page: 135
  • Format: Paperback
  • A Trilogia de Nova Iorque continua a ser, tantos anos depois, o livro mais emblem tico de Paul Auster S o tr s fascinantes hist rias de mist rio, centradas no submundo da grande cidade norte americana, em que o leitor, tal como as personagens, se torna prisioneiro dos irresist veis enredos, dos puzzles alucinantes, dos quais o autor mestre incontestado.Cidade de Vidro,A Trilogia de Nova Iorque continua a ser, tantos anos depois, o livro mais emblem tico de Paul Auster S o tr s fascinantes hist rias de mist rio, centradas no submundo da grande cidade norte americana, em que o leitor, tal como as personagens, se torna prisioneiro dos irresist veis enredos, dos puzzles alucinantes, dos quais o autor mestre incontestado.Cidade de Vidro, Fantasmas e O Quarto Fechado Chave, constituem os tr s andamentos de uma sinfonia nica, neste que continua a ser, tantos anos depois, o livro mais emblem tico do autor S o tr s fascinantes hist rias de mist rio, centradas no submundo de Nova Iorque, em que o leitor, tal como os personagens, se torna prisioneiro dos irresist veis enredos, dos puzzles alucinantes, em que o autor mestre incontestado.

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    • ☆ A Trilogia de Nova Iorque || ↠ PDF Read by ✓ Paul Auster
      135 Paul Auster
    • thumbnail Title: ☆ A Trilogia de Nova Iorque || ↠ PDF Read by ✓ Paul Auster
      Posted by:Paul Auster
      Published :2021-02-16T01:56:57+00:00

    About "Paul Auster"

    1. Paul Auster

      Paul Auster is the bestselling author of Report from the Interior, Winter Journal, Sunset Park, Invisible, The Book of Illusions, and The New York Trilogy, among many other works He has been awarded the Prince of Asturias Prize for Literature, the Prix M dicis tranger, the Independent Spirit Award, and the Premio Napoli He is a member of the American Academy of Arts and Letters, the American Academy of Arts and Sciences, and a Commandeur de l Ordre des Arts et des Lettres He lives in Brooklyn, New Yorkul auster

    414 thoughts on “A Trilogia de Nova Iorque”

    1. First, a brief harangue. I can't help but noticing how often the word "pretentious" has been thrown around in the reviews for this book. What a bothersome word: pretentious. It's a lot like the word "boring," in that they both seem to fool the user into thinking that they mean something objective, when in fact they're highly subjective. Nothing is inherently boring, just as nothing is inherently pretentious. On the contrary, these words say a lot more about the speaker than they do about the thi [...]

    2. Σε αυτή την τριλογία θα άλλαζα τίτλο. Θα την ονόμαζα " Έτσι ειναι η ζωή" και αφού ειναι έτσι,μπορεί να γίνει και κάπως ετσι και αλλιώς και διαφορετική και πάλι ίδια και ξανά αλλιώτικη. Δεν είμαι σίγουρη τι να γράψω για αυτό το βιβλίο. Δεν θα ήθελα να μπω σε στερεότυπα και κοινά [...]

    3. I have encountered a great many reviews that start with "I don't know how to begin this review". By this claim the reviewer expresses doubt, but the expression of these doubts is the immediate solution to the reviewer's predicament, making both the doubts and the claim kind of moot. I was thinking of starting off this review the same way, given that this book leaves you wondering about everything, but thinking about that as an option makes it also dishonest, because I would know where to start w [...]

    4. Is this three novels-in-one or a single one?Ah, well:That's four Auster "novels" in a row for me and, interestingly enough, they were all very much alike (Oracle Night, The Glass City, Ghosts, The Locked Room). It's becoming clear that Auster has adopted very interesting themes, such as the transitory nature of fiction and reality; the writer's world manifested in a literal form; & the double He writes in free-flow and non sequiturs. Yeah, I will be the first one to admit that almost always [...]

    5. I think this was my first encounter with Paul Auster, a man who I met through the cult of the 1001 books to read before you die list. Prior to that I was vaguely aware of Auster and his peculiar brand of love/loath inciting literature which had friends alternatively raging or swooning, but had never bothered my arse to go and see what all the fuss was about. Turns out I rather loved this - once I had progressed beyond the first forty pages. For the first forty pages I'd already rather rudely pig [...]

    6. 219. The New York Trilogy, Paul AusterThe New York Trilogy is a series of novels by Paul Auster. Originally published sequentially as City of Glass (1985), Ghosts (1986) and The Locked Room (1986), it has since been collected into a single volume.The first story, City of Glass, features a detective-fiction writer become private investigator who descends into madness as he becomes embroiled in a case. It explores layers of identity and reality, from Paul Auster the writer of the novel to the unna [...]

    7. Further update, June 19th 2012.In response to several thoughtful comments that take issue with the nastiness of my initial review, I have come to the conclusion that the comments in question are essentially correct. Please see my own response in comment #32 in the discussion. And thanks to those who called me on this, apologies for my earlier vitriolic responses. In general, I try to acknowledge the validity of other opinions in my reviews and comments, something I notably failed to do in this d [...]

    8. So this is the New York trilogy I've heard so much about. I'm at a loss for what to say, and not in the good way. I feel incredibly underwhelmed.I can't even think of too many angry witticisms. It's very bland. High school students who were introduced to existentialism for the first time could produce better stuff. When the narrative switched back to an ordinary mystery story again, I became more interested, but the rest is just profoundly dull. Language has meaning, you say? And you make refere [...]

    9. Baudelaire cited by Paul Auster in City of Glass: "Il me semble que je serais toujours bien là où je ne suis pas." In other words: It seems to me that I will always be happy in the place where I am not. Or, more bluntly: Wherever I am not is the place where I am myself. Or else, taking the bull by the horns: Anywhere out of the world. It was a wrong number that started it, the telephone ringing three times in the dead of night, and the voice on the other end asking for someone he was not.3.5 l [...]

    10. "Να νοιάζεσαι για τις λέξεις, να ποντάρεις σε ο, τι γράφεται, να πιστεύεις στη δύναμη των βιβλίων. Αυτό υπερβαίνει όλα τα υπόλοιπα και, πέρα από αυτό, η ζωή του ανθρώπου γίνεται πολύ μικρή."Δηλώνω Οστερικη μετά απο αυτές τις 3 εξαιρετικές ιστορίες. Θα επανέλθω με περισσότερα σχ [...]

    11. “The story is not in the words; it's in the struggle.” ― Paul Auster, The New York TrilogyREVIEW 1: City of GlassAn interesting PoMo novella. Auster's first novel/second book/first of his 'New York Trilogy', 'City of Glass' is simultaneously a detective novel, an exploration of the author/narrative dynamic, and a treatise on language. I liked parts, loved parts, and finished the book thinking the author had written something perhaps more interesting than important.My favorite parts were th [...]

    12. ثلاثية نيويورك قرأت هذه الثلاثية قبل سنوات، وخربشت وقتها بعض الأفكار حولها، ولكن لأنني لم أكن حينها مهتم بنشر مراجعاتي للكتب، فبقيت هذه الأفكار في حالة غير مكتملة في ملف نصي مهمل، فلذا أعتذر مقدماً عن الحالة الغريبة التي قد تبدو بها هذه المراجعة، اعتبروها مراجعة معتقة نوعا [...]

    13. Life is too short to re-read a book, but someday I will give time for this one. The reason is that I assumed that the book being a trilogy is composed of 3 totally unrelated stories since I read in the write up that the stories were published one at a time in a weekly magazine in the 80s. However, to my surprise, at the end of the 3rd story – The Locked Room (which by itself was the best among the 3) – it was revealed that the detective looking for Fanshawe was the main character in the firs [...]

    14. Our lives carry us along in ways we cannot control, and almost nothing stays with us. It dies when we do, and death is something that happens to us every day.Qué gran libro. Mi primero de Auster y sin dudas no será el último. En ocasiones un poco pesado, en muchas otras se estanca, pero es innegable que esta obra es brillante. Personajes excelsamente desarrollados, vívidas descripciones y tramas desbordantes de locura y mentes extraviadas buscando un hogar.Con una prosa soberbia, este autor [...]

    15. Consummate MetafictionIf you’re interested in reading just one example of metafiction, I can’t think of any better work than "The New York Trilogy" (except perhaps Thomas Pynchon’s "The Crying of Lot 49").Paul Auster mightn’t get the same accolades as other writers of post-modern fiction, if only because he has built a loyal readership that doesn’t depend on post-modern academics and spin merchants:"This recognition by a non-academic community may account for the lack of critical atten [...]

    16. Qué lectura tan amena, tan rápida (estoy sacando los días en que tuve que dejarlo por los estudios) y tan conflictiva. Estas tres novelas me parecieron más una forma de problematizar la identidad y la literatura antes que un homenaje a New York a través de la escritura. Si la ciudad puede considerarse como un espacio inquietante y en movimiento, entonces New York es un claro ejemplo. Y Paul Auster aprovecha esa vorágine para mostrar también cómo allí nadie es quien dice ser: las persona [...]

    17. (عالم الكتب تدب فيه الحياة , ويغلي بالاحتمالات و الأسرار والمتناقضات , ولمّا كان أي شئ يقال أو يُرى , وحتى أهون الأشياء و أقلها شأنًا , يمكن أن تكون له صلة بختام القصة , فإنه ما من شئ يجب تجاهله )يبدو يا جماعة إن الأدب الأمريكي أفضل مما نتوقع (رغم تجاربي القليلة معه , فأنا لا أذكر ا [...]

    18. I can't believe I read this all the way through, but I just kept thinking that at some point, something has to happen. I was disappointed. The writing is mechanical and boring. It's like being told a story by someone barely interested what they are saying. There is no experience to it, no stake in the characters, and like I said, nothing of note really happens. When Auster makes an attempt to wrap up the disjointed and feeble plot lines after two and three-quarter books of emptiness and abrupt e [...]

    19. I can't write anything about this novel. This isn't some predictable, pitiful attempt to make an opening. I literally can't write anything about it. I've been squeezing my mind over it since yesterday, but no. Read it.

    20. City of Glass (1985), Ghosts (1986) and The Locked Room (1986): Meta as in metafiction, also metaphysics and metaphor. This is fiction about fiction, writing about the writer. Who’s writing whom? Who’s the author and who’s the imagined character? Auster's characters aren’t “real” people (even when they are autobiographical) in the sense that you might invite one over for dinner, but are real in the sense that you might imagine yourself dissolving into fiction, or have the sense that [...]

    21. رواية مجنونة، مثل شخص يلعب معك لعبة، باستثناء أن اللعبة هي كابوس. لم أقرأ شيئًا كهذا منذ زمنٍ طويل

    22. في منتصف الثمانينات صدرت لأوستر رواية " مدينة الزجاج " و التي قام برفضها سبعة عشر ناشر حتى جازف أحدهم بطباعتها و ذلك لكونها رواية غير مألوفة و غامضة إن صح التعبير. أعقب ذلك صدور روايتين هما " الأشباح " و " الغرفة الموصدة " - غنيّ عن القول أنهما الجزئين المكملين للثلاثية - و بعد سنت [...]

    23. The New York Trilogy is an incredible anthology of mystery stories, written with an evocative voice and a completely original style.

    24. Το πρώτο epic fail της χρονιάς. Το πιο άχρωμο, άοσμο, ανάλατο βιβλίο που διάβασα τουλάχιστον τον τελευταίο χρόνο και που ο ένας και μοναδικός λόγος που το τελείωσα και δεν το παράτησα κάπου στη σελίδα 50 όπου και κολάστηκα για πρώτη από τις πολλές φορές που ακολούθησαν ήταν γιατί [...]

    25. Na filmovima se često dešava da vispreni zlikovac, pošto ispuca sve kvarnjačke trikove, namami heroja u nekakvu sobu sa ogledalima, kako bi ga ošamutio sopstvenom (herojevom) sposobnošću zapažanja i napokon ga sebi skinuo s vrata. Tako se protagonista nađe u sasvim neprirodnom haosu: pošto je vizualno bombardovan svojim iskrivljenim odrazima, mora da prebaci oslonac na auditivna opažanja, te osluškuje tišinu, zaustavlja disanje, pažljivo hoda kroz srču, sve vreme kalkulišući kol [...]

    26. [Τα παλιά τα χρόνια στο somuchreading είχαμε τη δική μας Λέσχη Ανάγνωσης. Αυτό ήταν ένα από τα βιβλία που διαβάσαμε, αντιγράφω τα σχόλια που είχα κάνει στο somuchreading, αιωνία του η μνήμη]λοιπόν, δεν είμαι σίγουρος τι να γράψω για το βιβλίο. βλέπω στους περισσότερους από εσάς δεν άρεσε κ [...]

    27. Η Τριλογία της Νέας Υόρκης του Paul Auster μου άρεσε πάρα πολύ. Κυρίως βρήκα πολύ έξυπνο το τέχνασμα να χρησιμοποιεί την δομή και το εξωτερικό περίβλημα του αστυνομικού μυθιστορήματος για να απλώσει επάνω σε αυτόν τον έτοιμο καμβά το δικό του υπαρξιακό σύμπαν. Μου θύμισε λιγάκι [...]

    28. O Poder da Palavra de Paul Auster em três romances curtos, que se interligam. Um livro "negro" em que ficção e realidade se confundem; e onde a obsessão por entender o "Outro" pode levar à solidão extrema, à loucura e à perda da própria identidade. Como não tenho o poder de Auster para elaborar um comentário razoável sobre este livro (nem sei se entendi todo o seu significado), selecionei, para ilustrar a ideia que retirei de cada história, imagens de três Grandes de outra Arte que [...]

    29. At times The New York Trilogy strikes me as something like the movie Saw for intellectual types. People who enjoy Saw tell me that it "messes with your mind," when what they really like are the suspense and the gore. Readers who enjoy The New York Trilogy tell me that it "challenges your perception of reality" (the intellectual form of the above statement), when what they really like is all of the cleverness and the self-reflexive smartypants in-jokes. The plot and many of the images and devices [...]

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